Why are we talking about Netflix yet again? Well the subscription TV Channel is once more the standout centrepiece of Sci-Fi related activity. While we have The Shape of Water (above) securing a stack of Oscar nominations and The Black Panther dominating the box office, Netflix is still the most dynamic force within the genre at the moment.

Take The Cloverfield Paradox as a fully-formed, exclusive case in point. Not only does it provide an origin story to both Cloverfield and 10 Cloverfield Lane, its transdimensional setting has set geek minds racing about a potential crossover with the Half-Life universe. Too far fetched? Well, J.J. Abrams is currently engaged with both Portal and Half-Life movie adaptations, while Darren Tratchtenberg – director of 10 Cloverfield Lane – also directed Portal: No Escape. We say, “let the speculation roll!”

Duncan Jones’ Mute has also just been released onto the service. Although not receiving critical recommendations thus far, it has provided a platform for the director to air his desire to bring 2000AD comic book heroes Rogue Trooper and Slane to the screen. While on the topic of retro Sci-Fi, the original Lost in Space was tacky at best and the 1998 film (by Stephen Hopkins) was a deplorable mess, but hope springs eternal on Netflix in the shape of challenging reboots.

The most important and latest update however, is that Alex Garland’s adaptation of Jeff Vander Meer’s Annihilation is already garnering rave reviews in the US. The film, starring Natalie Portman, will be with us on Netflix is just a few weeks’ time. It’s worrying that a potential shortfall in audience will mean the film won’t be receiving a cinematic release in Europe, and that those who are not part of the subscription service will initially miss out. Question is, does the price provide enough value when considering the growth and quality of the shows in question. It’s a resounding ‘yes’ here on Drozbot.

To wrap things up we also have The Expanse season three confirmed to air on SyFy by April 2018, which means we should see it join the previous two seasons on Netflix before the end of the year. All we need now is for The OA, which is currently in production, to join it and we’ll be looking at a monumental year for fans of the genre.

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This entry was posted on Tuesday, February 27th, 2018 at 22:55 and is filed under News. You can follow any responses to this entry through the RSS 2.0 feed. You can skip to the end and leave a response. Pinging is currently not allowed.

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